Exquisite form, exquisite content.
After the date. [Horacio Altuna]
The piano lesson. [Horacio Altuna]
The janitor. [Horacio Altuna]
The dorm room. [Horacio Altuna]
Eotoscope by French artist Tomi Ungerer (1931 - ).
Santa! The Big Man! The Head Honcho!
No one before Bernini had managed to make marble so carnal. In his nimble hands it would flatter and stream, quiver and sweat. His figures weep and shout, their torses twist and run, and arch themselves in spasms of intense sensation. He could, like an alchemist, change one material into another - marble into trees, leaves, hair, and, of course, flesh.
- Simon Schama’s Power of Art. Bernini
It’s not pulp, but I love Bernini. I spent months standing around in churches in Rome just staring at his work.
Restraining the bride. Other works by the French artist Lushé are worth looking for (hint: the bride gets spanked!).
Projectile. [source needed]
The scullery maid. [Georges Pichard]
One of the saddest lessons of history is this: If we’ve been bamboozled long enough, we tend to reject any evidence of the bamboozle. The bamboozle has captured us. Once you give a charlatan power over you, you almost never get it back.
Example of how a Dominant views the world.
I love the connection that comes with being bound. It is so intimate.
This is the first image in which I’ve seen the rigger with the model. That’s rather unfortunate. My extremely limited experience has taught me that, like everything else in D/s, the emotional mysteries for the Dominant are every bit as powerful as they are for the submissive.
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